Past Shows

Who's Who

JANET McTEER (Sarah Bernhardt). Golden Globe, Tony® and Olivier Award-winning actress Janet McTeer stars in not one but two Netflix original series this year.  She is currently filming Ozark as a series regular, season two of which will premiere later this year, and she is starring opposite Krysten Ritter in season two of Marvel’s Jessica Jones, which premiered March 8. Additionally, she will star in a lead role opposite Elizabeth Olsen in Sorry For Your Loss, a 10-episode half-hour dark comedy series for Facebook Watch. McTeer returned to Broadway in 2017, starring opposite Liev Schreiber in a revival of Christopher Hampton’s Les Liaisons Dangereuses, directed by Josie Rourke. The production garnered acclaim, and an Olivier nomination for McTeer as Best Actress, under Rourke’s direction at London’s Donmar Warehouse, with McTeer starring opposite Dominic West. McTeer starred as ‘Petruchio’ in director Phyllida Lloyd’s summer 2016 riotous all-female production of The Taming of the Shrew for New York’s Shakespeare in the Park at the Delacorte Theater. It’s her second time in the role, having first collaborated with Lloyd on a production at London’s Globe Theatre in 2003.  It is also her third collaboration with Lloyd, having starred in the director’s Mary Stuart both in London and on Broadway. For the latter she received London’s Olivier nomination Broadway’s Drama Desk Award and a Tony® nomination, all as Best Actress. One of the most respected stage actresses in the U.S and England, McTeer won the 1997 Olivier, Tony®, Drama Desk, Outer Critics Circle and Theatre World Award for Best Actress in a Play for her stunning portrayal of Nora in Ibsen’s A Doll’s House.  That performance also marked her Broadway debut.  Her prolific theater credits include the Broadway and West End runs of God of Carnage, The Duchess of Malfi, The Grace of Mary Traverse for The Royal Court Theatre and Uncle Vanya for the National Theater (both of which earned her Olivier Award nominations), Much Ado About Nothing in the West End and A Midsummer Night’s Dream for the RSC. In 2000, McTeer received her first Oscar nomination for Best Actress in a Leading Role, and won a Golden Globe Award, in director Gavin O’Connor’s Tumbleweeds. In 2012 she was nominated for both a Golden Globe and an Academy Award® for her starring role opposite Glenn Close in Albert Nobbs. Recent film credits include MGM’s hit romantic drama Me Before You; actress Amber Tamblyn’s directorial debut Paint it Black, which McTeer also Executive Produced and which premiered at the 2016 Los Angeles Film Festival; and opposite Lily James and Christopher Plummer in director David Leveaux’s The Exception. Additional film credits include Disney’s Maleficent, both Allegiant and Insurgent from the “Divergent” series, Angelica, Hannah Arendt, The Woman in Black, director Kenneth Branagh’s As You Like It and director Maggie Greenwald’s Songcatcher, For television, she starred opposite Maggie Gyllenhaal and Stephen Rea in Hugo Blick’s 2014 Golden Globe-winning miniseries The Honourable Woman. McTeer received a Critic’s Choice nomination for that performance. The same year she received a Golden Globe nomination for Best Supporting Actress for her performance in the BBC One and Starz Television mini-series The White Queen. In 2010, McTeer was nominated for a Best Supporting Actress Golden Globe for her role as Clementine Churchill in Into the Storm, the HBO film on the life of Winston Churchill.  Her additional television credits include the miniseries Five Days for the BBC and HBO, the miniseries Parades End with Benedict Cumberbatch, also for the BBC and HBO, and the acclaimed FX legal thriller, Damages. Janet McTeer was born in Newcastle, England. She attended the Royal Academy of Dramatic Art (RADA) and upon graduating she began her acting career on stage by joining the Royal Exchange Theatre. She was awarded Officer of the Order of the British Empire in the 2008 Queen's Birthday Honours List for her services to drama. Photo: Shane Nelson.
DYLAN BAKER (Constant Coquelin). Broadway:  The Front Page, The Audience, God of Carnage, November, Mauritius, La Bete (Tony and Drama Desk nominations), Eastern Standard(Theatre World Award). Off-Broadway: Peer Gynt, Sea of Tranquility, Homebody/Kabul, What the Butler Saw, That Championship Season, Pride’s Crossing, Wolfman, The Common Pursuit, To Whom It May Concern, Not About Heroes (Obie Award), Tartuffe, Much Ado About Nothing and The Two Gentlemen of Verona (NYSF). Film: Misogynists, Miss Sloane, Anchorman 2, Selma, Franny, The Humbling, 2 Days in New York, Secretariat, Revolutionary Road, Trick ‘R Treat, Across the Universe, The Hunting Party, Fido, Spider-Man 2 and 3, Hide & Seek, Head of State, Road to Perdition, Changing Lanes, Along Came a Spider, Thirteen Days, Happiness (Indy Spirit Award nomination), Disclosure, Delirious, Planes Trains & Automobiles, The Long Walk Home, The Cell, Requiem for a Dream. TV: “Homeland,” “Little Women,” HBO’s “Confirmation,” “Blindspot,” “Difficult People,” “The Americans,” “I’m Dying Up Here,” “The Mentalist,” “Chicago Fire,” “Chicago PD,” “Political Animals,” “Damages,” “The Good Wife” (Three Emmy Award Nominations) “Turks and Caicos,” “Kings,” “Drive,” “The Book of Daniel,” “The Pitts!,” “The Laramie Project,” “From Earth To The Moon,” “Feds,” “Murder One.” Feature Film Directorial Debut: 23 Blast.  
JASON BUTLER HARNER (Edmond Rostand). currently stars as Agent Roy Petty on the celebrated Netflix series “Ozark.” He returns to Broadway having last been seen in Ivo van Hove’s galvanizing revival of The Crucible. Harner also appeared as Ivan Turgenev, aging 45 years, in the multi-Tony award winning trilogy The Coast of Utopia by Tom Stoppard. He has previously appeared with the Roundabout in The Paris Letter and Juno and the Paycock, as well as in numerous Off-Broadway productions for which he has garnered an OBIE Award and multiple Drama Desk nominations. Memorable productions include The Village Bike (MCC), Cock (The Duke), Hedda Gabler (New York Theatre Workshop), Through A Glass Darkly (Atlantic Theatre), The Ruby Sunrise (The Public), An Experiment With An Air Pump (MTC), Macbeth (The Public), Crimes Of The Heart (Second Stage), Observe The Sons Of Ulster (Lincoln Center), Five Flights(Rattlestick) and Orange Flower Water (Edge Theatre). He has appeared in the West End at the Donmar Warehouse in Lanford Wilson’s Serenading Louis and across this country in The Glass Menagerie (with Sally Field at the Kennedy Center), the American premiere of The Invention Of Love (with James Cromwell at ACT), The Cherry Orchard (with Annette Bening, Alfred Molina, and Sarah Paulson at the Taper), Long Days Journey Into Night (ACT) and Hamlet (Dallas Theatre Center). Harner’s major film debut came as Gordon Northcott Jr in Clint Eastwood’s Oscar-nominated Changeling. Other film work includes BlackhatNon-StopThe Taking Of Pelham 1 2 3, and The Extra Man. Independent films include Sundance favorite Letters From The Big Man (with Lily Rabe), The Green (for which he won many film festival awards), and The Family Fang, directed by Jason Bateman. On television, Harner returns in Season 2 of “Ozark” and has been seen recently in “High Maintenance,” as well as in memorable arcs on “Ray Donovan,” “Scandal,” “Homeland,” “The Blacklist” and “Betrayal.” He was a series regular on JJ Abrams’ “Alcatraz” and continues to be seen in the prophetic (and heavily shared gif) from the opening scene of Aaron Sorkin’s “The Newsroom.” He was born in the small town of Elmira, NY, was raised by his father in the Virginia suburbs of Washington DC, and now splits time between beloved New York City and Los Angeles.
MATTHEW SALDIVAR (Alphonse Mucha). This past year Matthew Saldivar appeared in Sam Gold's Hamlet at The Public Theater and on Broadway in both Junk at Lincoln Center (dir. Doug Hughes) and Saint Joan at MTC (dir. Daniel Sullivan). Other Broadway credits include James Lapine's Act One at Lincoln Center, the character of Black Stache in Peter and The Starcatcher(dir. Roger Rees and Alex Timbers), Honeymoon in Vegas with Tony Danza (Gary Griffin dir.), A Streetcar Named Desire (Emily Mann dir.) and Kenicke in Grease (Kathleen Marshall dir.). He made his Broadway debut originating the role of Sammy in The Wedding Singer (John Rando dir.). Other credits include: South Pacific (Luther Billis in the Lincoln Center Theater First National Tour, Bartlett Sher dir.), Hadestown at New York Theater Workshop (Rachel Chavkin dir.), The Royal Family (Rachel Chavkin dir.) Daphne’s Dive (Thomas Kail dir.), All In The Timing(John Rando dir.), The Toxic Avenger Musical (John Rando dir.) Randy Newman's Harps and Angels (Jerry Zaks dir.), Architecture of Loss (Chay Yew dir.), Much Ado About Nothing (Ethan McSweeny dir.) Sea of Tranquility (Neil Pepe dir.) and Working (Christopher Ashley dir.). This autumn he will appear as the recurring character Gordy on Tony Danza's new Netflix series “The Good Cop.” He earned a BA and an MA at Middlebury College and an MFA at the NYU Graduate Acting Program. He is pleased to be collaborating again with director Moritz von Stuelpnagel after working together previously on Important Hats of the 20th Century at Manhattan Theater Club.  
NICK WESTRATE (Maurice). Broadway: Casa Valentina, A Moon for the Misbegotten. Off-Broadway: Tribes, A Delicate Ship, Galileo, Love's Labor's Lost, Unnatural Acts, The Little Foxes, The Boys in the Band (Drama Desk nomination). Regional: Yale, McCarter, Huntington, Barrington, CalShakes. TV: 3 seasons as Robert Townsend on AMC’s “Turn: Washington’s Spies,” also has appeared on “Blindspot,” “The Tick,” “Quantico,” “Person of Interest,” “Blue Bloods,” “Mildred Pierce,” “Hatfield’s & McCoys,” and “New Amsterdam.” Upcoming TV: “The American Guest” for HBO. Film: Ricki & the Flash (dir. Jonathan Demme). Nick was the recipient of the 2012 special Drama Desk Award for his performances that season Off-Broadway, he is a New York Theatre Workshop Usual Suspect, a Juilliard graduate, founding member of the Fair Wage Onstage movement and proud member of Actors’ Equity Association. This performance is for Karen Walsh.
TONY CARLIN (Louis). Roundabout on Broadway: Pygmalion, Heartbreak House, A Day in the Death of Joe Egg. Other Broadway: Saint Joan, Junk, Six Degrees, Fish in the Dark, Sylvia, All the Way, Time Stands Still, Chinglish, The Best Man, Lend Me a Tenor, Mary Stuart, Good People, Spring Awakening, Mamma Mia! (Original Company). Off-Broadway: Stuff Happens, Entertaining Mr. Sloane, Once in a Lifetime. Television: “Blacklist,” “Royal Pains,” “Star Trek Voyager,” “Seinfeld” (Finale). Film: Bourne Legacy, The Nutty Professor, Crazy People.

ITO AGHAYERE (Rosamond). made her Broadway debut originating the role of Jacqueline Blount in Ayad Akhtar’s Tony Award nominated Junk (LCT). She is a 2016 Lucille Lortel Award nominee for Outstanding Lead Actress in a Play for her work in Danai Gurira's critically acclaimed play Familiar (Playwrights Horizons). Select off Broadway credits include Lynn Nottage’s Drama Desk and Outer Critics Circle Awards nominated Mlima's Tale (Public); The Liquid Plain (Signature Theatre); Three Days To See (New York Theatre Workshop/Transport Group); The Tempest, Much Ado About Nothing, Macbeth (Classic Stage Company). Film: Logan Lucky with Hilary Swank and Channing Tatum. TV: "Instinct," "Blacklist,” "Elementary," “Doubt,” "Master Of None," “Braindead," “The Knick," "Orange Is The New Black,” “Unforgettable," "Forever." Education: MFA, Columbia University; BA, Duke University. Instagram: @itoaghayere.
BRITTANY BRADFORD (Lysette). NYC/Regional credits: For Colored Girls (Public Theater); Flyin’ West (Westport Country Playhouse); Family Resemblance (Eugene O’Neill); The Profane and Taming of the Shrew (Chautauqua Theater Company); Midsummer Night’s Dream (Ten Thousand Things Theatre); Neighbors, Avenue Q, and Next to Normal (Mixed Blood Theatre); Ragtime and Stick Fly (Park Square Theatre). Brittany graduated in May from Juilliard, where her credits included Father Comes Home From The Wars, Hoodoo Love, Triumph of Love, King Lear, Cymbeline, Christina Martinez, and Marriage of Bette and Boo. Co-Founder of HomeBase Theatre Collective.
AARON COSTA GANIS (Raoul) has worked in theatrically in New York at the LAByrinth Theater Company and Second Stage, regionally at Williamstown Theatre Festival, Berkshire Theatre Group, and internationally at the Oxford Playhouse, the Old Fire Station, and the Burton-Taylor Theater as a member of the Oxford University Dramatic Society. Aaron can be seen in the films Lazy EyeMonsters and Men (Neon), Set It Up (Netflix), BloodSandand Gold, and Straight Outta Tompkins, and the upcoming indie First Love. TV credits include “Jessica Jones” (Netflix), “Odd Mom Out” (Bravo), “House of Cards” (Netflix), “American Odyssey” (NBC), “Unforgettable” (CBS) and “Fridays” (Super Deluxe). He has also written and directed the upcoming film Health to the King. Aaron wishes to dedicate this show to his mother and father, June and Rick, who always encouraged empathy and galvanized a love of art and civics in him, leaving him terribly poor but forever curious. Black Lives Matter. Immigrant Rights are Human Rights. Believe Her. Never Again. Aaron hails from New Hampshire and was trained at NYU's Graduate Acting Program, and studied at Brandeis and Oxford University.
TRINEY SANDOVAL (Francois). Broadway: Marvin’s Room, Macbeth, A Free Man of Color, A Man for All Seasons, Frost/Nixon. Other New York theatre: Timon of AthensThe Idiot, Elliot, a Soldier’s Fugue, As you Like it, Whisper. Regional: La Jolla Playhouse, Cincinnati Playhouse in the Park, The Old Globe Theatre, The Wilma Theatre, Denver Theatre Center, Round House Theatre, Actors Theatre of Louisville, The Alliance Theatre, Two Rivers Theatre Company, Virginia Stage Company, Baltimore Center Stage, Yale Rep., Milwaukee Rep., Repertory Theatre of St. Louis, Great Lakes Shakespeare, Idaho Shakespeare, Alabama Shakespeare, California Shakespeare, Shakespeare Santa Cruz, and six seasons with The Oregon Shakespeare Festival. TV: The Blacklist, Elementary, The Sopranos, Lights Out, One Life to Live, All My Children and recurring roles on both Law & Order and Law & Order; SVU.
MATTHEW AMENDT (Ensemble, u/s Edmond Rostand, Maurice). Off-Broadway: Coriolanus, ’Tis Pity She’s a Whore (Red Bull); Tamburlaine, Much Ado AboutNothing (TFANA); Henry V (title role, Acting Company). Regional: Hamlet (title role, PPT), Guthrie (13 productions), La Jolla, Shakespeare Theatre, others. Awards: Presidential Scholar, Ivey, Emery Battis.

JENELLE CHU (Ensemble, u/s Lysette, Rosamond) is thrilled to be making her Roundabout debut. New York: Junk (LCT); #Serials@Flea, These Seven Sicknesses(The Flea); Good Vibrations (52nd Street Project). Regional: Vietgone (American Conservatory Theater); The Comedy of Errors (Shakespeare & Co). TV: “Elementary,” “Instinct.” Education: MFA, Yale School of Drama.

KATE LEVY (Ensemble, u/s Sarah Bernhardt). Broadway tours: The Graduate, On Golden Pond. NYC: New World Stages, MTC, New Group, Barrow St., The Mint.Regional: A.R.T., Hartford TheaterWorks, Yale, Alley, O’Neill, Hartford Stage, Arena, Denver Ctr. TV: “The Deuce,” “The Sinner,” “Elementary,” “Younger,” “BlueBloods.” Tufts Univ., A.C.T.

CHRIS THORN (Ensemble, u/s Alphonse Mucha, Raoul, Francois). Off-Broadway: Pride and Prejudice (Primary Stages), Twelfth Night (Pig Iron), Miss Lily Gets Boned (Studio 42). Regional: Hudson Valley Shakespeare, Guthrie Theater, Barrington Stage, Contemporary American Theater Festival, The Acting Company. Film/TV: “Madam Secretary.” Training: Boston University.

THERESA REBECK (Playwright) is a prolific writer with success spanning theater, television, film, and literature. She has been named one of the 150 Fearless Women in the World by Newsweek and The New York Times has referred to her as “one of her generation’s major talents.” She is best known for her plays Seminar and Mauritius, which both premiered on Broadway, and her earlier works Spike Heels, Bad Dates and Omnium Gatherum, (Pulitzer Finalist, co-written with Alex Gersten) and her TV show Smash. Additional theater credits include: Way of the World (Folger Theatre); What We’re Up Against (Women’s Project); Downstairs (Dorset Theatre Festival); Dead Accounts (Music Box Theatre); The Scene, The Water’s Edge, Loose Knit, and The Family of Mann (Second Stage); Seared (San Francisco Playhouse); The Nest (Denver Center for the Performing Arts); The Way of the World (Dorset Theatre Festival); Poor Behavior (Mark Taper Forum, Primary Stages); The Butterfly Collection and Our House (Playwrights Horizons); The Understudy (Roundabout Theatre Company); and View of the Dome (New York Theatre Workshop). Upcoming projects: Seared at the Williamstown Theatre Festival. Theresa and composer Josh Schmidt are adapting the RKO film Dance, Girl, Dance, as a stage musical, and she has created a stage adaptation of the fable Stone Soup with John Weidman. She is currently under commission by Roundabout Theater Company, La Jolla Playhouse and South Coast Rep. Theresa adapted and directed the film version of Poor Behavior and directed her original screenplay for Trouble, starring Anjelica Huston and Bill Pullman, which premiered at the 2017 Seattle Film Festival. Other films include Harriet the Spy, Gossip, and the independent features Sunday on the Rocks and Seducing Charlie Barker, an adaptation of her play, The Scene. In addition to Smash, Ms. Rebeck has writing and producing credits for television projects including Dream On, Brooklyn Bridge, L.A. Law, American Dreamer, Maximum Bob, First Wave, Third Watch, Canterbury’s Law, Smith, Law and Order: Criminal Intent and NYPD Blue. All of Ms. Rebeck’s past produced plays are published by Smith and Kraus as Theresa Rebeck: Complete Plays, Volumes I, II III, and IV and are available from Samuel French or Playscripts. Ms. Rebeck’s other publications are Free Fire Zone, a book of comedic essays about writing and show business. She has written for American Theatre Magazine and has had excerpts of her plays published in the Harvard Review. Ms. Rebeck’s first two novels, Three Girls and Their Brother and Twelve Rooms With A View, are published by Random House/Shaye Areheart Books in April 2008. Her most recent book, I’m Glad About You, was released to rave reviews at the top of 2016 and is published by Putnam. Theresa has been honored to receive the National Theatre Conference Award, the William Inge New Voices Playwriting Award, PEN/Laura Pels Foundation Award, the Athena Film Festival Award, an Alex Award, a Lilly Award, an IRNE Award for Best New Play, an Eliot Norton Award, the Mystery Writer’s of America’s Edgar Award, the Writer’s Guild of America award for Episodic Drama, the Hispanic Images Imagen Award, and the Peabody.Ms. Rebeck is originally from Cincinnati and holds an MFA in Playwriting and a PhD. in Victorian Melodrama, both from Brandeis University. She is a proud board member of PEN America and the Dramatists Guild, a Contributing Editor to the Harvard Review, an Associate Artist of the Roundabout Theatre Company, a Playwright Adviser and Board Member of the LARK, and has taught at Brandeis University and Columbia University. She is currently holds the Lyndall Finley Wortham Chair in the Performing Arts at University of Houston. She lives in Brooklyn with her husband and two children.
MORITZ VON STUELPNAGEL (Director). Broadway: Noël Coward's Present Laughter with Kevin Kline (three Tony nominations including Best Revival of a Play); Rob Askins' Hand to God (five Tony nominations including Best New Play and Best Director, Lortel Award nomination, SDC Callaway nomination). West End: Hand to God (Olivier nomination for Best New Comedy). Off-Broadway: Important Hats of the Twentieth Century (Manhattan Theatre Club); Verité (Lincoln Center Theater/LCT3); Teenage Dick (The Public Theater); Trevor (Lesser America); Love Song of the Albanian Sous Chef (Ensemble Studio Theatre); Bike America (Ma-Yi); MEL & EL: Show & Tell (Ars Nova); Spacebar (Studio 42); and My Base and Scurvy Heart (Studio 42). Regional: Alliance Theatre, Williamstown Theatre Festival, Huntington Theatre, Hudson Valley Shakespeare Festival, and more. Moritz is the former artistic director of Studio 42, NYC’s producer of “unproducible” plays.

BEOWULF BORITT (Set Design). Broadway: Act One (Tony Award), The Scottsboro Boys (Tony Nom), Therese Raquin (Tony Nom), Come From Away, Meteor Shower, A Bronx Tale, Prince Of Broadway, Hand To God, Sondheim On Sondheim, …Spelling Bee, LoveMusik, Rock Of Ages, Chaplin, Bronx Bombers, GraceThe Two And Only. Broadway Revivals: On the Town, Sunday in the Park… Also designs for 100 Off-Broadway shows, NYC Ballet and Ringling Brothers Circus. 2007 OBIE for sustained excellence.
TONI-LESLIE JAMES (Costume Design). Broadway: Come From AwayJitneyAmazing GraceLucky GuyThe Scottsboro BoysFinian's RainbowChita Rivera: The Dancer's LifeMa Rainey's Black BottomKing Hedley II, One Mo’ Time, The Wild PartyMarie ChristineFootloose, The TempestTwilight Los Angeles 1992, Angels in America, Chronicle of a Death Foretold, and Jelly’s Last Jam. Awards: Two Tony nomination, five Drama Desk nominations, six Lucille Lortel nominations, two Hewes Design Awards.
BRADLEY KING (Lighting Design). Broadway: Bernhardt/HamletThe Great Comet (Tony, Drama Desk, OCC Awards). Recent NYC: Apologia (Roundabout), The Treasurer (Playwrights Horizons, Lortel Nom), Animal (Atlantic), Hadestown (NYTW, Drama Desk Nom), Preludes (LCT3), The Black Crook (Abrons), Empanada Loca (LAByrinth, Drama Desk nom). Regional: Alley Theatre, A.R.T., Berkeley Rep, Guthrie Theater, La Jolla Playhouse, McCarter Theatre, The Old Globe, Yale Rep, Williamstown Theatre Festival. Upcoming: Hadestown at the National Theatre London. MFA, NYU. Proud member of USA829.
FITZ PATTON (Original Music and Sound Design). Broadway: Choir Boy (upcoming), Three Tall WomenMeteor ShowerPresent Laughter, The Little Foxes, The Humans, Blackbird, Our Mother’s Brief Affair, It’s Only a Play, An Act of God, Airline Highway, The Other Place, I’ll Eat You Last, Outside Mullingar, Casa Valentina, The House of Blue Leaves, Brighton Beach Memoirs. Drama Desk awards for When the Rain Stops Falling and The Humans. He is the founding editor of Chance Magazine.
MATTHEW ARMENTROUTH (Hair & Wig Design). Othello (Shakespeare in the Park, Hair and Wig Design). Broadway: Angels in America (Supervisor), Come From Away (Supervisor), Cats, Amazing Grace. Theme Park Design: London Rocks (Busch Gardens Williamsburg), A Christmas Carol (Busch Gardens Williamsburg).
STEPHEN GABIS (Dialect Consultant). Selected Roundabout: The Price, Love, Love, Love, Long Day’s Journey into Night, The Winslow Boy, The 39 Steps, Heartbreak House, Juno and the Paycock. Selected B’way/Off-B’way: Harry Potter and The Cursed Child, Hangmen, Present Laughter, Indecent, Incognito, Heisenberg, Outside Mullingar, Once, A View from the Bridge, Doubt. Selected Film/TV: “The Americans,” Spotlight, “Boardwalk Empire,” Across the Universe.
ROBERT WESTLEY (Fight Consultant). Movement Choreographer for award winning theatre productions, operas and film, developing unique and exciting performances of dance, clowning, aerial acrobatics, puppetry and martial art. B’way: A Bronx Tale: Musical, Hand to God, Gettin’ The Band Back Together. Off-B’way: Teenage Dick (Public) Important Hats of the Twentieth Century (MTC). Regional: Paper Mill Playhouse, Westport County Playhouse.