Roundabout Underground® fosters new works by emerging theatre artists. It allows Roundabout to take artistic risks that are not viable on its larger stages, whether giving a debut production to an emerging writer or allowing an experienced director to go back to his or her creative roots.
In addition to receiving an opportunity to debut their works as full-scale productions, up-and-coming playwrights receive the significant artistic and financial support of the country's largest not-for-profit theatre and a nurturing environment in which to debut their work.
Roundabout Underground productions are produced in Roundabout's Black Box Theatre located within the Harold and Miriam Steinberg Center for Theatre.
Major support for the Roundabout Underground is generously provided by Jodi and Dan Glucksman.
NEW PLAY INITIATIVE
to learn more about Roundabout's commitment to supporting and developing the creation of new works through our New Play Initiative.
Roundabout Underground PRODUCTION HISTORY
The Dream of the Burning Boy, by David West Read, 2011
Tigers Be Still, by Kim Rosenstock, 2010
Ordinary Days, by Adam Gwon, 2009
The Language of Trees, by Steven Levenson, 2008
Speech & Debate, by Stephen Karam, 2007
Pictured above: James Rebhorn and Rebecca Henderson in Too Much, Too Much, Too Many. Photo by Joan Marcus.