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2026–27 Directing Fellow

Ciera Miller

This program was created in 2017 as a launchpad for the next generation of directors. It focuses on underrepresented talent, and is a balance of hands-on learning with the season’s directors and development of the Fellow’s own craft.

About the fellowship.

The Roundabout Directing Fellowship has been established to provide development opportunities, resources, and career assistance to early career directors in the American Theatre, defined here as those who have not yet directed a production at a major off-Broadway or regional theatre. The Fellowship was created specifically to foster new relationships with, and to create a launchpad for, artists who have traditionally been denied equitable opportunities in the theatre industry. To that end, we actively encourage applications from underrepresented groups, inclusive of race, color, religion, gender, gender identity or expression, sexual orientation, national origin, age, veteran status, and disability status.

The Fellowship is ideally suited to a candidate seeking experience as an assistant director on productions large and small, mentorship from established artists, immersion in a not-for-profit institution, independence to pursue their own projects, and introductions to artistic leaders across the industry. The Fellowship will select one director for a season-long commitment, providing them time and support while working alongside some of the foremost artists in the field.

Since their time at Roundabout, past Fellows have gone on to direct on Broadway, off-Broadway, regionally, and at academic institutions around the country. They have served as associate directors on and off Broadway, on national tours, and have taken further steps in their freelance careers after deepening their networks through the Fellowship. Our goal is to support and advance the next generation of directors for the American Theatre by providing them with a foundation on which they can build lasting careers in the industry.

The fellowship season.

During their season, the Roundabout Directing Fellow serves as Assistant Director on two to three Roundabout productions spanning Roundabout’s five spaces on and off Broadway. Productions will be chosen based on schedules and any possible tailoring to the specific interests of the Fellow. We aim for at least one of these assistantships to be on Broadway. The Fellow also works with the artistic office on literary efforts regarding script submissions and readings coverage. The Directing Fellow receives:

  • An introduction to full Roundabout staff and affiliated artists
  • A home base at the Roundabout offices, including a desk and access to a computer, printing, and office supplies
  • The opportunity to meet with a variety of artistic professionals
  • Space, casting, and literary resources for developmental workshops of two projects of their choosing
  • Headshot session

The Directing Fellow is paid a full-time salary, plus overtime as applicable, for the entirety of the year-long program (starting late-August). This is a benefits-eligible position. They also have access to a professional development fund to be used during their season for theatre tickets, research, theatre-related travel, or any other expense that may qualify as furthering their work as an artist.

Contact.

All questions concerning application process, requirements, or materials should be sent by email to [email protected]. No phone calls, please.


Support for Roundabout’s Directing Programs is generously provided by The Tow Foundation.

Support for the Directors Group and all of Roundabout’s Artists in Residence programming is generously provided by the Leon Levy Foundation.

The Leon Levy Foundation, founded in 2004, is a private foundation created from the Estate of Leon Levy by his wife and Founding Trustee, Shelby White. The Foundation continues Leon Levy’s philanthropic legacy and builds on his vision. Since its inception, the Foundation has made grants totaling over $600 million. 

The Leon Levy Foundation supports the preservation, understanding and expansion of knowledge in the Ancient World, Arts and Humanities, Nature and Gardens, Neuroscience, Human Rights and Jewish Culture.


Roundabout Theatre Company is an Equal Opportunity Employer that strives to represent individuals from all walks of life in its workforce. We want our employment community to be a representation of the diverse world we live in. As such, we strongly encourage people from underrepresented groups to apply, and we ensure that every candidate who applies for a position at Roundabout Theatre Company is treated equally and fairly without regard to race, color, religion, gender, gender identity or expression, sexual orientation, national origin, age, veteran status, disability status and any other factor prohibited by law. We believe diversity in our teammates is paramount to our success as a not-for-profit theatre serving all communities in New York.  

For administrative career opportunities, visit our TWDP Admin program.

For technical theatre career opportunities, visit our TWDP Tech program.

Tai Thompson

Tai Thompson is a NYC-based multidisciplinary artist specializing in new works and immersive theater. She has directed large-scale immersive theatrical productions throughout the US- notably the critically acclaimed series, Miami Motel Stories. Selected work: Love’s Labour’s Lost (Two River), Dark Star from Harlem (La Mama- 2020 AUDELCO for Best Direction of a Musical), Men on Boats (NYU/Atlantic), A Chance for Redemption (Orlando Shakes), Breathe (NPT), Warriors (TheatreWorks), Moon Man Walk (FSU), The Democracy Project (Federal Hall), Long Distance Affair (PopUp Theatrics/ Juggerknot- 2021 Miami New Times Best Play Award), Miami Bus Stop Stories (2020 Knight Foundation New Work Award). She was a 2018 SDCF Observer, 2018 Inaugural NAMT Observer, 2019 Drama League Classical Directing Fellow, 2022 Old Globe Classical Theatre Fellow, and 2023 Fulbright Award Finalist for South Korea. Also a playwright, her works include an adaptation of Shakespeare’s Love’s Labour’s Lost, Kleonostium, Not Quite Ripe, Pressures, and Lucky.

Ciera Miller

Ciera Miller a NYC based director and writer.

She is a self described  ‘stubborn hopeful ‘ — someone who fights to make the impossible probable with joy.

Ciera is interested in ghosts, as a director, she’s fascinated by what happens when we confront the things that haunt us and what happens to the land, our families, and our souls when we don’t. She finds herself drawn to stories about the American West, generational curses, the black diaspora, injustice, the passage of time, womanhood, and the feeling of ‘otherness’. Ultimately, she wants to create work onstage that calls audiences to confront the ghosts they are haunted by.

She is also the miller half of the theatrical duo miller & harlow. The pair are 2023 Jonathan Larson Grant Honorable Mentions, 2025 finalists, former EdFringers, and were co-writers on The Oyster Radio Hour hosted by Susan Sarandon.  She is the Associate Director for the Hadestown  National Tour, directed by Keenan Tyler Oliphant. Additional Assistant Directing credits include: PRIMERO SUEÑO (MET Live Arts & CDMX Tour) and the world premiere of STOMPIN’ AT THE SAVOY (Delaware Theatre Company). New Work credits include: FUNERAL FOR A DOG, THE DARK (EdFringe, C Arts), SIREN SONGS (miller & harlow), WE’RE HERE BECAUSE WE WANT TO BE, CAFE BLITZ,  ARE YOU LISTENING? and COLORADO SILVER. cieramiller.com millerandharlow.com

Saki Kawamura

SAKI KAWAMURA is a NYC-based theatre/film director originally from Japan. As an immigrant artist, Saki is interested in challenging notions of traditional American theatre by combining non-traditional theatrical elements including butoh dance, visual arts, different languages, and devising. She aims to create theatrical experiences which will build bridges across cultures. Recent directing credit includes: Watcher in the Woods (Urban Stage), Alice by Heart (Trevor Day School), ICEBERG (Ren Gyo Soh), The Sugar Plant, Everest (Chain Theatre), Grown-ups, and The Giving Tree (Unfix NYC). Associate/Assistant credit includes: The Cher Show (1st National Tour), JOY: A NEW MUSICAL (George Street Playhouse), Clue (Paper Mill Playhouse, 1st National Tour), Mystic Pizza (Ogunquit Playhouse) and many more. Saki is currently the Associate Artistic Director of Ren Gyo Soh, an award-winning butoh theatre company in NYC. MFA Directing at Actors Studio Drama School at Pace University. A member of Roundabout Directors Group Cohort 5. www.sakikawamura.com

Autumn Angelettie

AUTUMN ANGELETTIE (she/her) is a theatrical director, producer, playwright, and performer from Greater Philadelphia, based in New York City. As an abolitionist, feminist theatre maker and organizer, Autumn seeks to create and produce radically transformative art in an evolving industry. Her experience and expertise lie in curating and leading creative teams composed of members of the global majority, and developing new, social justice-oriented works. Autumn has been involved in the development of world premieres by NSangou Njikam (21 Strings: A Rhyme), Lady Dane Figueroa Edidi (Klytmnestra: An Epic Slam Poem, Helen Hayes Best Outstanding Original Play 2020), T.J. Lewis (blk thoughts (:you can redo?:)) and nearly a dozen other new Black theatrical productions, including her own, in the varied capacities of director, producer, playwright, and actor. She has been honored with experiences on and offstage at the Apollo Theater, Signature Theatre NYC, Mabou Mines, Joe’s Pub, Theater Alliance, Young Playwrights’ Theater, Lime Arts Productions’ 20 by 20 Fringe, Broadway Green Alliance, The Howard Players’ 8×10 Play Festival, Philly Young Playwrights’ Monologue Festival, Howard University, and with the Broadway Advocacy Coalition. Autumn earned her BFA in Theatre Arts in the inaugural class of the illustrious Howard University Chadwick A. Boseman College of Fine Arts. She currently serves as the Artistic Director of Lime Arts Productions.

Mack Brown

Mack Brown is a big-hearted Brooklyn-based butch. Prioritizing the new work of their contemporaries, Mack builds vibrant worlds that center lesbians and trans people. They wield structure and safety to unlock rehearsal rooms that glow with mutual ownership, and love to develop bright new musicals.

Sivan Battat

Sivan Battat (she/her) is an Iraqi-Jewish theatre director, cultural worker, and educator who has developed and directed work with Ars Nova, the Atlantic, NYTW, Corkscrew, and more. As an assistant and associate, she has worked with directors including Sam Gold, Rebecca Taichman, Neil Pepe, GT Upchurch and David Muse. Upcoming projects include Noam Shuster’s COEXISTENCE MY ASS (Harvard/National Tour), Amahl Khouri’s SHE HE ME (National Queer Theatre at Dixon Place). Sivan works frequently with Jews for Racial and Economic Justice, and recently creative directed JFREJ Mimouna. She also leads ancestral storytelling workshops within various queer and SWANA communities. She completed the Dorot Fellowship, studying Mizrahi Feminisms and Arabic, and organizing for justice in Israel-Palestine. Sivan is the 2020-2021 Roundabout Directing Fellow, and the 2021 Drama League Leo Shull Musical Directing Fellow. BA Wesleyan.

Cristina Angeles

Cristina Angeles is an Afrolatina director, writer, and theater maker who develops new plays, musicals, and socially conscious adaptations of classics that place women of color at the forefront. She has been awarded the 2020-21 Drama League Directing Fellowship, the 2019-20 Roundabout Directing Fellowship, and has assistant directed on and off-Broadway.

Today, Cristina is an Associate Artist at Roundabout Theatre Company and the Founding Artistic Director of Checkmark Productions, an NYC based company dedicated to artists of color and their stories. Recent credits include IN THE BLOOD by Suzan-Lori Parks at NYU and Shakespeare’s ROMEO & JULIET at the New School.

Kathleen Capdesuñer

Kathleen Capdesuñer is a director of new works based in NYC. She is a 2019/20 The Civilians R&D Group Director, 2019/20 Manhattan Theatre Club Directing Fellow, 2018/2019 Roundabout Directing Fellow, 2017/18 McCarter Theatre Center Directing Apprentice, Latinx Theatre Commons Steering Committee Member, and The COOP Youth Advisory Board Member. Kathleen has developed work at: Roundabout Theatre Company, Yale University, Columbia University, Ensemble Studio Theatre, McCarter Theatre Center, Teatro LATEA, and internationally in the Fringe Festival circuit. She is a first-generation Cuban-American from Kissimmee, Florida and committed to making equitable change in this industry.

Miranda Haymon

MIRANDA HAYMON (she/they) (Director). Miranda is a Princess Grace Award winning writer, director, and curator currently developing several projects in theatre, podcasts, and TV/film and with their production company The Hodgepodge Group. Currently, Miranda is a Resident Director at Roundabout Theatre Company. Miranda is a graduate of Wesleyan University where they double majored in German Studies and Theater and were awarded the Rachel Henderson Theater Prize in Directing. www.mirandahaymon.com

Whitney White

WHITNEY WHITE is an Obie and Lily award winning director, writer and musician based in New York. Recent directing: Jaja’s African Hair Braiding (Broadway), The Secret Life of Bees (The Almeida), Soft (Lucille Lortel nomination for Outstanding Direction), On Sugarland (Lucille Lortel and Drama Desk nominations for Outstanding Direction), What to Send Up When it Goes Down (The Public, Playwrights Horizons, BAM, Woolly Mammoth, America Repertory Theatre), The Amen Corner (Shakespeare DC), Our Dear Dead Drug Lord (Second Stage/WP Theater), For All The Women Who Thought They Were Mad (Soho Rep). Original works include: Semblance (NYTW), Definition (Bushwick Starr), and Macbeth in Stride, for which she won an Eliot Norton Award for Best Musical Performance (American Repertory Theatre, Under the Radar Festival at The Public Theatre, Shakespeare Theatre Company, Philadelphia Theatre Company). Fellowships include: Sundance Theatre Lab, NYTW 2050 Fellowship, Drama League Next Wave, Jerome Fellowship, Colt Coeur, Roundabout Directing Fellowship. Whitney is a Rolex Arts Initiative Protegee, an Associate Artist at the Roundabout, and an Associate Director at Shakespeare DC. Recently she was also a writer on Boots Riley’s upcoming show “I’m A Virgo” (Amazon / Media Res). MFA Brown Trinity Rep, BA Northwestern.

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