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Todd Haimes started the Artists in Residence program to support early-career artists, giving them a theatre to call home and to provide peace of mind of a sustainable career.

Over the years, this program has evolved to include playwrights, mid-career directors and even an entire young company. And while these residencies have allowed Roundabout to help cultivate the next generations of theatre leaders, these artists have also become invaluable to the staff and our audiences, invigorating this institution with fresh voices. 

Senior Resident Director

Kenny Leon

Resident Directors

Associate Resident Director

Cristina Angeles

These directors have a home base at Roundabout to develop their own work, take artistic risks, and play a role in planning the company’s seasons.


Roundabout Directing Fellow

Tai Thompson

This program was created in 2017 as a launchpad for the next generation of directors. It focuses on underrepresented talent, and is a balance of hands-on learning with the season’s directors and development of the Fellow’s own craft. 


Roundabout Underground Residencies 2025–2026

Roundabout Underground Residencies 2024–2025

In 2024 the Roundabout Underground Residencies were introduced to provide two playwrights time and space to work on one of their plays. Each writer is offered a multi-day workshop of the play, scheduled time at a desk in a shared workspace, and access to Roundabout resources and staff that they feel is helpful to their process and overall artistic development. 


Leon Levy Foundation Roundabout Directors Group — Cohort 7

Roundabout Directors Group (RDG) was created to offer resources and provide career assistance to the next generation of directors for the American Theatre by providing them with a foundation on which they can build lasting careers in the industry.

Support for Roundabout’s Directing Programs is generously provided by The Tow Foundation.

Support for the Directors Group and all of Roundabout’s Artists in Residence programming is generously provided by the Leon Levy Foundation.


Company in Residence

Fiasco Theater

Fiasco Theater was invited to become Roundabout’s first Company in Residence following their work on Into the Woods (2015). We aim to encourage them to continue their exploration of classic musicals and plays by providing the time and space that a young company needs to do their best work.


Associate Artists

This group of directors and playwrights comprises artists who have created some of Roundabout’s best-known works and artists who will be creating the work of the future. They call Roundabout home and are able to develop the projects they are the most passionate about here.

Kenny Leon

KENNY LEON (Director). Tony-Award winning director. Broadway: Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch; Topdog/Underdog; Ohio State Murders; A Soldier’s Play; American Son; Children of a Lesser God; Holler If Ya Hear Me; A Raisin in the Sun; The Mountaintop; Stick Fly; August Wilson’s Fences, Gem of the Ocean and Radio Golf. Off-Broadway: The Underlying Chris, Everybody’s Ruby, Emergence-SEE! (The Public); Smart People (Second Stage). Television: “Robin Roberts Presents: Mahalia,” “Colin in Black & White,” “4400,” “Amend: The Fight for American,” “American Son” (adapted for Netflix), “Hairspray Live!,” “The Wiz Live!,” “Steel Magnolias,” “Dynasty,” “In My Dreams.” Author: Take You Wherever You Go. Artistic director emeritus: Kenny Leon’s True Colors Theatre Company. Senior resident director: Roundabout Theatre Company. Awards: Obie, Actors Fund Medal of Honor, George Abbott Lifetime Achievement for American Theatre, Jason Robards Award for Excellence in Theatre.

Miranda Haymon

MIRANDA HAYMON (she/they) (Director). Miranda is a Princess Grace Award winning writer, director, and curator currently developing several projects in theatre, podcasts, and TV/film and with their production company The Hodgepodge Group. Currently, Miranda is a Resident Director at Roundabout Theatre Company. Miranda is a graduate of Wesleyan University where they double majored in German Studies and Theater and were awarded the Rachel Henderson Theater Prize in Directing. www.mirandahaymon.com

Anne Kauffman

Roundabout: Marvin’s Room. Described by the New York Times as “one of the leading lights of downtown theater,” Anne has directed at most major New York non-profit and regional theaters. Her recent credits include Tom Holloway’s And No More Shall We Part starring Alfred Molina and Jane Kaczmarek at Williamstown Theatre Festival, Marjorie Prime by Jordan Harrison with Lois Smith at Playwrights Horizons (Lortel and Drama League Nominations for Outstanding Director), Buzzer by Tracey Scott Wilson with the Public Theater, The Nether by Jennifer Haley with MCC, You Got Older by Clare Barron with P73 Productions (Drama Desk nomination), Smokefall by Noah Haidle with Zachary Quinto at MCC, The Goodman Theater and South Coast Rep, 100 Days a new musical by The Bengsons at Z Space in San Francisco, Your Mother’s Copy of the Kama Sutra by Kirk Lynn with Playwrights Horizons, The Muscles In Our Toes by Stephen Belber with the Labyrinth Theater Company. Other credits include: Lisa D’Amour’s Pulitzer Prize finalist play Detroit starring David Schwimmer and Amy Ryan at Playwrights Horizons (NY Times, New York Magazine and Time Out NY Top 10 Productions of 2012), Maple and Vine also at Playwrights Horizons, Somewhere Fun by Jenny Schwartz at the Vineyard Theater, Amy Herzog’s Belleville for Yale Rep, NY Theatre Workshop and Steppenwolf (Lortel Nomination for Outstanding Director), Chloe Moss’s This Wide Night starring Edie Falco and Alison Pill for Naked Angels (Lortel Nomination for Outstanding Director), the musical We Have Always Lived In the Castle by Adam Bock and Todd Almond with Yale Rep, Stunning by David Adjmi and Greg Pierce’s Slowgirl for LCT3, You Better Sit Down: Tales from My Parents’ Divorce with the Civilians at Williamstown, ArtsEmerson and The Flea, God’s Ear by Jenny Schwartz with New Georges and the Vineyard. She is a Sundance Program Associate, a Usual Suspect at New York Theatre Workshop, an alumna of the Soho Rep Writers and Directors Lab, a current member of Soho Rep’s Artistic Council, Lincoln Center Directors Lab, The Drama League of New York, a founding member of The Civilians, an Associate Artist with Clubbed Thumb and co-creator of the CT Directing Fellowship, and member of New Georges Kitchen Cabinet. From 2000-2006, Anne was on the directing faculty at NYU. She received her MFA in directing from UCSD, and a BA in Slavic Languages and Literature and Theater from Stanford University. Anne is an Executive Board Member of the SDC. Anne’s awards include two Obie Awards, including one for Sustained Excellence, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, the Barrymore Award for Best Director, and a Lilly Award.

Rebecca Taichman

Roundabout: Time and the Conways. Other Broadway: Indecent by Paula Vogel (co-creator; Tony Award, Best Direction of a Play, Outer Critic’s Circle Award, Drama League and Lucille Lortel nominations). Select Off-Broadway: Time and the Conways (Old Globe); How To Transcend A Happy Marriage and The Oldest Boy by Sarah Ruhl (LCT); Luck of the Irish by Kirsten Greenidge (LCT3); Familiar by Danai Gurira, Stage Kiss by Sarah Ruhl, Milk Like Sugarby Kirsten Greenidge (Playwrights Horizons); Orlando by Sarah Ruhl (CSC); Orpheus (NYCO); Dark Sisters (MTG/Gotham); Menopausal Gentleman (The Ohio). Regional includes productions at Yale Rep, La Jolla Playhouse, Shakespeare Theatre Company, The Old Globe, ART, Oregon Shakespeare Festival, McCarter, and Woolly Mammoth among others. Rebecca is a Henry Crown Fellow at The Aspen Institute, and a graduate of the Yale School of Drama.

Cristina Angeles

Cristina Angeles is an Afrolatina director, writer, and theater maker who develops new plays, musicals, and socially conscious adaptations of classics that place women of color at the forefront. She has been awarded the 2020-21 Drama League Directing Fellowship, the 2019-20 Roundabout Directing Fellowship, and has assistant directed on and off-Broadway.

Today, Cristina is an Associate Artist at Roundabout Theatre Company and the Founding Artistic Director of Checkmark Productions, an NYC based company dedicated to artists of color and their stories. Recent credits include IN THE BLOOD by Suzan-Lori Parks at NYU and Shakespeare’s ROMEO & JULIET at the New School.

Tai Thompson

Tai Thompson is a NYC-based multidisciplinary artist specializing in new works and immersive theater. She has directed large-scale immersive theatrical productions throughout the US- notably the critically acclaimed series, Miami Motel Stories. Selected work: Love’s Labour’s Lost (Two River), Dark Star from Harlem (La Mama- 2020 AUDELCO for Best Direction of a Musical), Men on Boats (NYU/Atlantic), A Chance for Redemption (Orlando Shakes), Breathe (NPT), Warriors (TheatreWorks), Moon Man Walk (FSU), The Democracy Project (Federal Hall), Long Distance Affair (PopUp Theatrics/ Juggerknot- 2021 Miami New Times Best Play Award), Miami Bus Stop Stories (2020 Knight Foundation New Work Award). She was a 2018 SDCF Observer, 2018 Inaugural NAMT Observer, 2019 Drama League Classical Directing Fellow, 2022 Old Globe Classical Theatre Fellow, and 2023 Fulbright Award Finalist for South Korea. Also a playwright, her works include an adaptation of Shakespeare’s Love’s Labour’s Lost, Kleonostium, Not Quite Ripe, Pressures, and Lucky.

Vichet Chum

VICHET CHUM (he/him) is a New York based writer from Dallas, Texas. His plays have been workshopped/produced at Steppenwolf Theatre, the Alley Theatre, Merrimack Repertory Theatre, Ars Nova, Page 73 Productions, TheatreWorks Silicon Valley, Cleveland Play House, the Magic Theater, the UCROSS Foundation, Fault Line Theatre, Crowded Outlet, Second Generation Productions, Weston Playhouse, Cleveland Public Theatre, South Carolina New Play Festival and the New Harmony Project. He received the 2023 Lucille Bulger Service Award, 2018 Princess Grace Award in Playwriting with New Dramatists, the 2021 Laurents/Hatcher Award and a 2021 Edgerton Foundation New Play Award for the world premiere of his play Bald Sisters which premiered at Steppenwolf Theatre in 2022 and a special state citation from the Massachusetts House of Representatives for his play KNYUM at Merrimack Repertory Theatre in 2018. He is currently a Usual Suspect at New York Theatre Workshop, a Sun Valley Writers’ Conference Fellow, a board member for the New Harmony Project, and a steering committee member for the Obie Award and Tony Award-winning organization, AAPAC (The Asian American Performers Action Coalition). Past notable writers’ groups include: the Resident Working Farm Group at Space on Ryder Farm, the Interstate 73 Writer’s Group at Page 73 and the Ars Nova Play Group. He is currently working on commissions for Audible, Steppenwolf Theatre, People’s Light, and Seattle Children’s Theatre. Vichet’s debut YA novel “Kween” was released this last fall with Quill Tree Books, an imprint of HarperCollins Publishers. He is a proud graduate of the University of Evansville (BFA) and Brown University/Trinity Repertory Company (MFA) and is represented by WME and CURATE Management. vichetchum.com

Nikki Massoud

NIKKI MASSOUD is an Iranian-Canadian-American writer and performer based in New York City. She is a 2050 Artistic Fellow at New York Theatre Workshop and a commissioned playwright with Atlantic Theater Company, Noor Theater, and The Acting Company. Her work has been developed through Ground Floor/Berkeley Rep, Bard at the Gate, Atlantic Theater Company, Less Than Rent Theater, The Lark, The Coop, CUNY, and a City Artist Corps Grant. Her television work as a performer includes roles on Succession (HBO), Love Life (HBO Max), and Mozart in the Jungle (Amazon). Her New York stage credits include Sanaz Toossi’s Wish You Were Here at Playwrights Horizons, and Othello at New York Theatre Workshop, directed by Sam Gold. Nikki has also performed at the Goodman Theatre, the Guthrie Theater, The Old Globe, South Coast Rep, Berkeley Rep, and Huntington Theatre Company. Nikki is the Odyssey Award-winning narrator of over 70 audiobooks and a graduate of the Brown University/Trinity Rep MFA Program, Georgetown University and BADA. “Zan, Zendegi, Azadi.”

Nick Browne

Nick Browne (they/he) is a director, producer, and arts administrator interested in weaving theatrical experiences that center queer voices, meditate on societal ills, interrogate systems of power, and invite collective reckoning through play, imagination, and care. Nick was the 2024 SDCF Directing Observer on Swept Away with Michael Mayer. Directing highlights include Midnight Coleslaw’s Tales from Beyond the Closet!!! by Joey Merlo (The Tank), Board of Ed by Richard Spitaletta (The Wild Project), Keynote at Necro-Con by Max Keane (The Brick), Ike Holter’s HIT THE WALL (The Stonewall Inn), Is My Microphone On? by Jordan Tannahill (The Center at West Park), Song of Joy by Carol Mazhuvancheril (The Tank), Platforms by Edison Ventura Diaz (LAByrinth Theater Co. Barn Series), and HIT THE WALL (NYU, A Streak of Violet). MFA in Directing from Brooklyn College. SDC Associate Member. www.nickjbrowne.com

Dante Green

Dante Green (they/she/he) is a Black, Queer, multi-hyphenate born and raised in rural Pennsylvania, based in Brooklyn. They are an alumnus of The Headlong Performance Institute as well as The University of the Arts with a Bachelor of Fine Arts in Directing, Playwriting, and Production. Dante is the Founding Artistic Director of The Makers’ Ensemble, a member of the Network of Ensemble Theaters, a former Bloomsburg Theatre Ensemble Fellow, and a former Wesleyan University Breaking New Ground Fellow. Dante is currently the Associate Director to former Soho Rep Artistic Director Sarah Benson, and has worked with her on TEETH (Playwrights Horizons, New World Stages) and THE WELKIN (Atlantic Theatre Company), both of which garnered Sarah an Obie Award for Excellence in the Theatre. Currently: Minor Music at the End of the World (Associate Director, Internationaal Theatre Amsterdam). Upcoming: The Elementary Spacetime Show (Lincoln Center, Montclair State University) Website: www.dantegreen.com | Instagram: @dantemgreen

Irvin Mason Jr.

Irvin Mason Jr., a St. Thomas, US Virgin Islands native, is a director, actor, poet, and teaching artist. His work combines expressive movement, live music, emerging technology, and Afro-Caribbean traditions to revitalize live storytelling. Irvin aims to create work that leaves residue — unapologetic theater that dismantles traditional foundations and opens space for new voices to tell their stories. He’s the current 2024-2026 Drama League Stage Directing Fellow. He recently assisted in developing new plays and musicals at the Playwrights’ Center, NYSAF, and Berkeley Rep’s Ground Floor. His recent directing credits include: Marcus, or The Secret of Sweet (Brooklyn College, upcoming); The Postman’s Daughter (Forager Theater), Short New Play Festival (Red Bull Theater) Ain’t Misbehavin, Pipeline (Gallery Players); Stuck (Chain Theatre) Associate/Assistant Directing: Co-Founders (ACT); Amerikin (Primary Stages); Two Trains Running (The Acting Company); Gin Game (Park Square Theater); Gospel According to Heather (AMAS). Directing Observer: The Wiz (Broadway); Little Shop of Horrors, Rent (MUNY, SDCF); Pup! A Chew Story (NAMT). @iirvinmason | irvinmasonjr.com

Bibiana Torres

Bibiana Torres (she/her) is a Puerto Rican director interested in new work, magical realism, and Latine stories. A Van Lier Directing Fellow at Repertorio Español, she is currently directing FUENTEOVEJUNA, having made her Off-Broadway debut there with LA PASIÓN SEGÚN ANTÍGONA PÉREZ last summer. Up next: i know why iris chang died by Esmé Maria Ng at IRT, via the Moxie Incubator. Bib has directed at 54 Below, the Keen Company, The Green Room 42, the Yale Repertory Theatre, and the Yale University Theatre. She is an alum of the New York Theatre Workshop 2050 Administrative Fellowship (22/23 Season); The 24 Hour Plays (Nationals and Broadway); “Reasons to Go Places,” Bartlett Sher’s TFANA directing seminar; Theatre Producers of Color (Cohort 3); and the Yale Dramatic Association (President 2021, Mainstage Producer Spring 2020). Bibiana was recently an SDCF Observer for Susan Stroman on SMASH (Broadway). bibianatorres.com

Chloe Chow

Chloe Chow is an NYC-based pluralistic Asian American performance and multimedia artist consistently inspired by family archives, folklore and ritual, food heritage, and her grandmother. She is invested in the education and growth of the Asian American theater community and seeks to generate immersive performance art powered by memory. Her projects challenge the definition of theater through site specificity, digital media, and deconstruction of space. In addition to independent work, past collaborations have included Pan Asian Repertory Theater, Ma-Yi Theater, Planet Earth Arts Festival, and the Humana Festival of New American Plays. Chloe was a member of the 2024-25 SoHo Rep Writer/Director Lab, Artistic Director of the Stanford Asian American Theatre Project, and currently programs diversity and inclusion initiatives for Disney Theatrical Group. Chloe holds a B.A. in Theater and M.A. in Multimedia Journalism from Stanford University. chloe-chow.com

Ares Harper

Ares Harper is a Director/Theatre-Maker from Columbus, OH. Their work explores the process of “meaning-making” in both artistic and cultural ecosystems, as they believe theatre to be their classroom, playground, and laboratory. Ares is dedicated to telling stories that foreground marginalized bodies/perspectives, stories that are as evocatively epic as they are intimate, AND stories that change people’s lives. Ares cultivates rooms built on collaboration with the foundational principle of prioritizing joy without sacrificing diligence or rigor. Ares is a founding member of Imperium Theatre Company: “a collective of trouble-makers exploring the depths of artistic merit through our dedication to cultural education, civic engagement, and social change.

Charlique C. Rolle

Charlique C. Rolle is a multidisciplinary artist and cultural strategist creating spiritually-rooted, embodied work at the intersection of personal healing and collective liberation. A native of the Bahamas, her work is grounded in the wisdom of Black womanhood and expansive in reach—an invitation into deeper universal truth, belonging, and joy. She weaves together performance, ritual, and community-rooted practice to create spaces of remembrance, restoration, and reimagination. For Charlique, art is sacred labor and spiritual offering—a way to bridge the individual and the communal, the ancestral and the emergent. She is deeply honored to join the 2025–2026 Roundabout Directors Group and looks forward to a year of shared vision, creative risk, and meaningful collaboration.

Marc David Wright

Marc David Wright (he/him) is a theatre director, performer, and teaching artist based in Brooklyn, NY. Co-Founder and Artistic Director of The Village Collective: developing Visual and Performance ‘artwork-in-progress’ and connecting emerging artists with New York audiences at thirteen sold-out Salon events and counting (iminthevillage.org). Theatre: The Children’s Hour (Fordham U), HAIR NOW: A Musical Concert for Palestine (Judson Church), Self Tape (Downtown Urban Arts Festival – Winner! Best Play 2024), Planet W: A Science-Fiction Musical (Eugene O’Neil MT Conference Finalist 2025, Ars Nova ANT Fest 2024, Cast Album Now Streaming), The Stella Show (IRT/The Village), Singfeld! A Musical Parody About Nothing (Now Playing Off-Broadway), Dark Play or Stories For Boys (Edinburgh Fringe). Fordham Theatre 2019.

M Sloth Levine

M Sloth Levine (they/them/theirs) is a director, playwright, and designer in New York City. Sloth’s plays have been developed at thousands of coffee shops around the country, Roundabout Theatre Company, Company One, Theatre [Untitled], Sparkhaven Theatre, Central Square Theatre, Skidmore College, Tufts University, University of Massachusetts Amherst, and University of Wisconsin Madison. The Interrobangers premiered in Boston in 2024 with Company One Theatre + The Theatre Offensive and will be published in the third volume of The Methuen Anthology of Trans Plays. At Hotel MacGuffin was the 2021 Parity Development Award recipient from Parity Productions. Sloth has served as the Script Supervisor on Andrew Lloyd Webber’s Bad Cinderella. In 2020 their live web-series Tales from Camp Strangewood was produced with a grant from the Mayor’s Office of Boston. They graduated from Emerson College with a BA in Theatre Studies: Directing & Playwriting.

Neeta Thadani

Neeta Thadani (they/he) is a director, writer, performer, dramaturg, and disgrace to their South Asian upbringing. Their artistic and storytelling interests center the South Asian identity in America with a focus on queerness, caste privilege, and decolonization. They were a 2023 Workshop Theater Fall Writers’ Intensive Fellow, a Nine Muses Screenwriting Lab Fellow, and recently served as Head Writer and Dramaturg for The Episodic Theatre Project’s inaugural season, BARDCORE (2024). Recent directing credits include associate directing Josh Sharp’s ta-da! under Sam Pinkleton at Greenwich House Theater and directing/co-writing White Bitches in Delhi at Williamstown Theatre Festival.

Fiasco Theater

Fiasco is an ensemble theater company created by graduates of the Brown University/Trinity Rep M.F.A. acting program. Past shows include Cymbeline (TFANA/Barrow Street), Into the Woods (Roundabout, Old Globe, McCarter, National Tour/Menier Chocolate Factory), Measure for Measure (New Victory/Long Wharf), The Two Gentlemen of Verona (Folger/TFANA) and Twelfth Night (Classic Stage Company). Cymbeline was honored with the 2012 Off-Broadway Alliance Award for Best Revival. Into the Woods garnered the 2015 Lucille Lortel Award for Best Revival & Off Broadway Allaince Award. Fiasco Theater is Company in Residence at Roundabout Theatre Company as well as at NYU-Gallatin. Fiasco Theater receives generous support from SHS Foundation, Howard Gilman Foundation, Lucille Lortel Foundation, Shubert Foundation, Actor’s Equity Foundation, New York State Council on the Arts & the Harold and Mimi Steinberg Charitable Trust.

Sam Gold

Roundabout: The Real Thing, Picnic, Look Back in Anger (Lortel nomination for Outstanding Direction); Tigers Be Still. Broadway: A Doll’s House: Part 2, The Glass Menagerie, Seminar (Golden Theater; also Ahmanson, L.A.). Recent: Fun Home (Public Theater, Tony Award, Best Direction of a Musical); Uncle Vanya (Soho Rep.); The Realistic Joneses (Yale Rep., CT Critics Circle Award for Outstanding Director); The Big Meal (Playwrights, Lortel Award for Outstanding Director); We Live Here (MTC); A Doll’s House (Williamstown); August: Osage County (Old Globe, SD Critics Circle Award for Outstanding Direction); Kin (Playwrights Horizons); The Coward (LCT3); Dusk Rings a Bell (Atlantic); Circle Mirror Transformation (Playwrights Horizons; Drama Desk nomination, OBIE Award for Outstanding Direction); The Aliens (Rattlestick, OBIE Award for Outstanding Direction); and Jollyship the Whiz-Bang (Ars Nova/Under the Radar Festival). Graduate of the Juilliard Directing Program, NYTW Usual Suspect, Drama League Directing Fellow and recipient of the Princess Grace Award.

Bill Irwin

Original member: San Francisco’s Pickle Family Circus, and Kraken, directed by Herbert Blau. Original works include Fool Moon, Largely New York, The Harlequin Studies, Mr. Fox: A Rumination, The Happiness Lecture, Old Hats, The Regard of Flight and On Beckett. Theatre: Eureka Day/Broadway, Endgame (IRT &ACT), Iceman Cometh/Broadway, Show Boat (SF Opera), Roundabout Theatre’s revival of Waiting for Godot (2009 Drama Desk Nomination), Broadway/West End revival of Who’s Afraid of Virginia Woolf (2005 Tony Award, Helen Hayes Award), The Goat or Who is Sylvia, Bye Bye Birdie, King Lear, Accidental Death of An Anarchist, 5-6-7-8 Dance! Waiting For Godot (Lincoln Center and Seattle Repertory Theatre), Scapin, The Tempest, Garden of Earthly Delights, Texts for Nothing, A Flea In Her Ear, 2003/2004 Signature Theatre Playwright in Residence, The Seagull, A Man’s A Man, 3 Cuckolds. Television: PBS Great Performances: Bill Irwin Clown Prince, Third Rock from the Sun, Northern Exposure, Sesame Street, Elmo’s World, The Regard of Flight (PBS), 1996 Olympic Games Closing Ceremony, The Cosby Show, The Laramie Project, Subway Stories, Bette Midler: Mondo Beyondo, Law and Order SVU, Life on Mars, A Gifted Man, CSI, The Good Wife, Lights Out, Monday Mornings, Blue Bloods, Elementary, Quarry, Legion, This is US, The Dropout, The Beast in Me. Film: Rustin, Spoiler Alert, HBO’s ConfirmationRachel Getting Married, Bastards, Interstellar, How the Grinch Stole Christmas, Higher Ground, Igby Goes Down, Lady in the Water, Dark Matter, Raving, Across The Universe, Popeye, Eight Men Out, Silent Tongue, Illuminata, A Midsummer Night’s Dream, My Blue Heaven, A New Life, Scenes from a Mall, Stepping Out and the upcoming Christopher Nolan film The Odyssey. Awards: National Endowme.

Kathleen Marshall

Roundabout: Anything Goes, The Pajama Game, 1776, Follies. Other Broadway credits include In Transit, Nice Work If You Can Get It; Wonderful Town; Living on Love; Grease; Little Shop of Horrors; Seussical; Kiss Me, Kate and Swinging on a Star. Off-Broadway and regional: Two Gentlemen of Verona (NYSF); Saturday Night (Second Stage); Love’s Labor’s Lost (Old Globe); My Paris (Long Wharf); Ever After (Paper Mill); Diner (Signature Theatre); The Unsinkable Molly Brown (Denver Center Theatre); The Band Wagon, I’m Getting My Act Together…, Bells Are Ringing, Carnival and Babes in Arms (City Center Encores!). TV: “Once Upon a Mattress,” “The Music Man” (Emmy nomination) and “2 Broke Girls.” She has received three Tony Awards (out of nine nominations), three Drama Desk Awards, three Outer Critics Circle Awards, the Astaire Award, the George Abbott Award, the Smith College Medal (her alma mater) and the Pennsylvania Governor’s Award for the Arts. She is a member of the Executive Board of the Stage Directors and Choreographers Society.

Whitney White

WHITNEY WHITE is an Obie and Lily award winning director, writer and musician based in New York. Recent directing: Jaja’s African Hair Braiding (Broadway), The Secret Life of Bees (The Almeida), Soft (Lucille Lortel nomination for Outstanding Direction), On Sugarland (Lucille Lortel and Drama Desk nominations for Outstanding Direction), What to Send Up When it Goes Down (The Public, Playwrights Horizons, BAM, Woolly Mammoth, America Repertory Theatre), The Amen Corner (Shakespeare DC), Our Dear Dead Drug Lord (Second Stage/WP Theater), For All The Women Who Thought They Were Mad (Soho Rep). Original works include: Semblance (NYTW), Definition (Bushwick Starr), and Macbeth in Stride, for which she won an Eliot Norton Award for Best Musical Performance (American Repertory Theatre, Under the Radar Festival at The Public Theatre, Shakespeare Theatre Company, Philadelphia Theatre Company). Fellowships include: Sundance Theatre Lab, NYTW 2050 Fellowship, Drama League Next Wave, Jerome Fellowship, Colt Coeur, Roundabout Directing Fellowship. Whitney is a Rolex Arts Initiative Protegee, an Associate Artist at the Roundabout, and an Associate Director at Shakespeare DC. Recently she was also a writer on Boots Riley’s upcoming show “I’m A Virgo” (Amazon / Media Res). MFA Brown Trinity Rep, BA Northwestern.

Joshua Harmon

Joshua Harmon’s plays include Bad Jews, (Roundabout Underground; Roundabout/Laura Pels; West End), Significant Other (Roundabout; Broadway/Booth Theatre), Admissions (Lincoln Center Theater; Drama Desk and Outer Critics Circle Awards, Outstanding Play), and Skintight (Roundabout). His plays have been produced across the country and internationally in Australia, Canada, Germany, Israel, Russia, South Africa, and throughout the U.K. Fellowships include MacDowell, Atlantic Center for the Arts, and NNPN/Actor’s Express. He is under commission from Manhattan Theatre Club. Education: Juilliard.

Pam MacKinnon

Roundabout: Dinner With Friends. Broadway: Amélie, China Doll, The Heidi Chronicles, A Delicate Balance, Edward Albee’s Who’s Afraid of Virginia Woolf? (Tony Award, Best Direction of a Play, 2013); Clybourne Park (Tony Award nomination, Best Direction of a Play, 2012). Pam recently directed the world premiere of Beau Willimon’s The Parisian Woman for South Coast Repertory, as well as Craig Lucas’ The Lying Lesson at The Atlantic Theater. Pam directed Horton Foote’s Harrison, TX at Primary Stages, and Itamar Moses’ Completeness at Playwrights Horizons, as well as the world premiere at South Coast Repertory. She also directed the world premiere of David Wiener’s Extraordinary Chambers at the Geffen Playhouse, and Rachel Axler’s Smudge at Women’s Project in 2010. Other credits include: Edward Albee’s Occupant at The Signature Theater; A Lifetime Burning by Cusi Cram at Primary Stages; Edward Albee’s A Delicate Balance at Arena Stage with Kathleen Chalfant and Ellen McLaughlin; All the King’s Men by Robert Penn Warren at Intiman Theatre; The Four of Us by Itamar Moses at Manhattan Theater Club; Roberto Aguirre-Sacasa’s Good Boys and True (Steppenwolf). Pam directed the world and New York premieres of Edward Albee’s Peter and Jerry (Hartford Stage and Second Stage); Bruce Norris’ The Unmentionables (Woolly Mammoth) and the world premieres of Richard Greenberg’s Our Mother’s Brief Affair (South Coast Repertory); John Fugelsang’s All the Wrong Reasons (New York Theater Workshop) and The Four of Us by Itamar Moses (The Old Globe). Further credits include Edward Albee’s The Goat, or Who is Sylvia? (Alley Theater, Vienna Theater); David Mamet’s Romance (Goodman Theatre); Gina Giofriddo’s After Ashley (Philadelphia Theater Company); Edward Albee’s Play About the Baby (Philadelphia Theater Company, Goodman Theatre) and Bach at Leipzig by Itamar Moses (NYTW); amongst others. Pam is an alumna of the Lincoln Center Director’s Lab, the Women’s Project Directors’ Forum and the Drama League Fall Production Fellowship. Pam serves as the Board Chair of the downtown company Clubbed Thumb and is a member of SSD&C.

Theresa Rebeck

THERESA REBECK (Playwright) is a prolific and widely produced playwright, whose work has been staged across the globe. Her work on Broadway includes Bernhardt/Hamlet, Dead Accounts, Seminar, and Mauritius. Other notable New York and regional plays include Seared (MCC), Downstairs (Primary Stages), The Scene, The Water’s Edge, Loose Knit, The Family of Mann, and Spike Heels (Second Stage), Bad Dates, The Butterfly Collection, and Our House (Playwrights Horizons), The Understudy (Roundabout), View of the Dome (NYTW), What We’re Up Against (Women’s Project), Omnium Gatherum (Pulitzer Prize finalist). Her latest play, Mad House, played a critically acclaimed world premiere on London’s West End starring David Harbour and Bill Pullman. As a director, her work has been seen at The Alley Theatre (Houston), the REP Company (Delaware), Dorset Theatre Festival, the Orchard Project, and the Folger Theatre. Major film and television projects include Trouble, with Anjelica Huston, Bill Pullman, and David Morse (writer and director), “NYPD Blue,” the NBC series “Smash” (creator), the female spy thriller 355 (for Jessica Chastain’s production company), and her most recent film Glimpse, available for streaming now. As a novelist, Rebeck’s books include Three Girls and Their Brother and I’m Glad About You. Rebeck is the recipient of the William Inge New Voices Playwriting Award, the PEN/Laura Pels Foundation Award, and a Lilly Award.

Doug Hughes

Roundabout: The Big Knife, Mrs. Warren’s Profession, A Man for All Seasons, A Touch of the Poet, A Naked Girl on the Appian Way, Death Takes a Holiday (Drama Desk nomination), Howard Katz, The Paris Letter. LCT: Junk, The City of Conversation, The House in Town. Broadway: The Father, Outside Mullingar, An Enemy of the People, Born Yesterday, Elling, Oleanna, The Royal Family, Mauritius, Inherit the Wind, Doubt (Tony Award), Frozen (Tony nomination). Off-Broadway includes Incognito, The Whipping Man, Defiance, Flesh and Blood, The Beard of Avon and The Grey Zone. Awards: Tony, Drama Desk, Outer Critics Circle, Lucille Lortel, Obie (twice), Callaway.

Joe Mantello

Roundabout directing: Assassins (Tony Award), The Mineola Twins, The Ritz, Design for Living, Pal Joey, The Humans. Other directing credits include An Act of God, The Last Ship, Casa Valentina, I’ll Eat You Last, The Other Place, Dogfight, Other Desert Cities, The Pride, 9 to 5, Wicked, Blackbird, November, The Receptionist, Three Days of Rain, The Odd Couple, Glengarry Glen Ross, Laugh Whore, Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, The Vagina Monologues, bash, Love! Valour! Compassion!, Proposals, Corpus Christi. Film: Love! Valour! Compassion! As an actor: The Normal Heart (Tony Award nomination), Angels in America (Tony Award nomination) and The Baltimore Waltz. He is the recipient of Outer Critics Circle, Drama Desk, Lucille Lortel, Helen Hayes, Clarence Derwent, Obie and Joe A. Callaway awards. He is a member of Naked Angels and an associate artist at Roundabout Theatre Company.

Jenny Rachel Weiner

Jenny was the 2016/2017 Tow Foundation Playwright-in-Residence at the Roundabout Theatre, where she has recently been named an Associate Artist and is also under commission. Select plays include: diventare (The Harold & Mimi Steinberg National Student Playwriting Award), Horse Girls (Fordham/Primary Stages, the cell, Ars Nova; New York, Collaboraction; Chicago, Annex Theatre; Seattle, published by Samuel French), Jason&Julia (Williamstown Theatre Festival Workshop Production, Wyoming Theatre Festival Reading, City Theatre of Pittsburgh Reading), Stagedream (co-written with Lee Overtree, upcoming: workshop at Playwrights Horizons Theatre School), Aunt Sylvia Is Dead (The Collective; published in The Collective Anthology 2014), Kingdom Come (Roundabout Underground Reading Series, Roundabout Underground Production directed by Kip Fagan, published by Samuel French), Part & Parcel (Primary Stages Reading Series, Perry Mansfield Theatre Festival, Roundabout Theatre Company Reading), Damsels (developed at Space on Ryder Farm, upcoming: reading at the Signature Theatre directed by Meredith McDonough). Jenny has developed plays with/been commissioned by the O’Neill Theatre Center, Williamstown Theatre Festival, Northlight Theatre, Piven Theatre Workshop, Primary Stages, Space on Ryder Farm, and Roundabout Theatre Company. BFA: Boston University, MFA: Fordham University/Primary Stages. Jenny currently attends the Lila Acheson Wallace American Playwrights Program at The Juilliard School.

Ghina Fawaz

Ghina Fawaz / غِنى فواز is a Lebanese-American director, playwright, and artist. Her work blends art and activism, drawing on folklore, oral histories, and creative resistance to amplify underrepresented voices. Past works include ألف ليلة وليلة (The Thousand and One Nights), a theatrical call to action weaving folklore, poetry, puppetry, and traditional Hakawati storytelling to resist against colonialism; Antlers, a play based on interviews with people from Southern Lebanon about their experiences with occupation and liberation, weaving history into a fantastical journey through puppetry; Three Sisters, an adaptation reimagining Chekhov’s Olga, Masha, and Irina as refugees trapped in an airport awaiting their flight to Moscow that never comes; and Watermelon Boy, developed in collaboration with Chaesong Kim and Anuka Sethi, part folktale, part documentary theatre, about a boy living under occupation who, after eating the seed of a forbidden fruit, transforms into a watermelon. Fawaz has also directed new works by Meg Ledford (Conservation of Matter), Andrew Reid (Here, Time Feels So…), and Dacyl Acevedo (From One Token to Another).

Iraisa Ann Reilly

Iraisa Ann Reilly is a writer, actor, and educator originally from New Jersey. Her one-woman show, A Bodega Princess Remembers La Fiesta de Los Reyes Magos, 1998, premiered Off-Broadway at Ensemble Studio Theatre in 2025. Bodega Princess was produced by The Lucille Lortel Theatre, Ensemble Studio Theatre, and Latinx Playwrights Circle. As a writer, her work has been developed and recognized by Teatro del Sol, Soho Rep, Atlantic Theatre Company, La Jolla Playhouse, Two River Theatre, Arkansas New Play Festival, Bay Area Playwright’s Festival, Theatre Exile, The New Harmony Project, Texas A&M University, Michigan State, Sol Project, Simpatico Theatre Company, Latinx Playwrights Circle, Art House Productions, and the Yale Drama Series. She is an Underground Resident Playwright at Roundabout Theatre Company, 2025-2026, and is currently under commission with Arden Theatre Company. As an educator, Iraisa Ann is an adjunct professor in the Department of Dramatic Writing at NYU Tisch and is a teaching artist with Roundabout Theatre Company, Primary Stages ESPA, and Dreamyard Inc. MFA Dramatic Writing from NYU. BA Theatre and English from the University of Notre Dame.

Liba Vaynberg

Liba Vaynberg is a first generation American writer and actor. She is bilingual in English and Russian and studied Molecular Biology and International Studies at Yale. She is the recipient of the inaugural commission at Rattlestick with CBE, and her play Round Table will be receiving a world premiere at 59E59. Other plays include Scheiss Book at the United Solo Festival at Theatre Row, where it won Best One-Woman Show as well as the Backstage Magazine Audience Choice Award. Scheiss Book was also produced by Dixon Place, Wild Project (with Wheelhouse Theater Project) and Stonewall Inn. She is working on a sequel, Queen’s Quest, which was a 2018 SPACE on RYDER FARM finalist. She is currently collaborating with Dina Vovsi on a new commission about the Brighton Beach Community with Working Theater, and her play The Oxford Comma received an educational premiere at Xavier University. The Russian & The Jew, co-authored with Emily Perkins, was the recipient of a COJECO BluePrint Fellowship and was produced by the Tank. As a performer, she has recurred on New Amsterdam (NBC) and Madam Secretary (CBS) and has appeared on Billy & Billie (DirecTV) and The Deuce (HBO). New York acting highlights include Black Milk at Classic Stage Company, Bekah Brunstetter’s Oregon Trail at the Women’s Project, Novaya Zemlya at HERE, and Golem of Havana at La Mama, The Soap Myth opp. Ed Asner for PBS All Arts, Ether Dome dir. Michael Wilson and Williamstown Theater Festival.

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