I started the Artists in Residence program about 25 years ago to provide artistic and financial support to early-career artists, giving them a theatre to call home and to provide peace of mind for a sustainable career.
Over the years, this program has evolved to include playwrights, mid-career directors and even an entire young company. And while these residencies have allowed us to help cultivate the next generations of theatre leaders, these artists have also become invaluable to me and our audiences, invigorating this institution with fresh voices.
These directors have a home base at Roundabout to develop their own work, take artistic risks, and play a role in planning the company's seasons.
Roundabout: Marvin's Room. Described by the New York Times as “one of the leading lights of downtown theater,” Anne has directed at most major New York non-profit and regional theaters. Her recent credits include Tom Holloway’s And No More Shall We Part starring Alfred Molina and Jane Kaczmarek at Williamstown Theatre Festival, Marjorie Prime by Jordan Harrison with Lois Smith at Playwrights Horizons (Lortel and Drama League Nominations for Outstanding Director), Buzzer by Tracey Scott Wilson with the Public Theater, The Nether by Jennifer Haley with MCC, You Got Older by Clare Barron with P73 Productions (Drama Desk nomination), Smokefall by Noah Haidle with Zachary Quinto at MCC... See Full Bio
Roundabout: Time and the Conways. Other Broadway: Indecent by Paula Vogel (co-creator; Tony Award, Best Direction of a Play, Outer Critic's Circle Award, Drama League and Lucille Lortel nominations). Select Off-Broadway: Time and the Conways (Old Globe); How To Transcend A Happy Marriage and The Oldest Boy by Sarah Ruhl (LCT); Luck of the Irish by Kirsten Greenidge (LCT3); Familiar by Danai Gurira, Stage Kiss by Sarah Ruhl, Milk Like Sugarby Kirsten Greenidge (Playwrights Horizons); Orlando by Sarah Ruhl (CSC); Orpheus (NYCO); Dark Sisters (MTG/Gotham); Menopausal Gentleman (The Ohio). Regional includes productions at Yale Rep, La Jolla Playhouse, Shakespeare Theatre Company, The Old Globe, ART,... See Full Bio
Underwitten by Elizabeth Armstrong.
Roundabout Directing Fellow
This program was created in 2017 as a launch pad for the next generation of directors. It focuses on underrepresented talent, and is a balance of hands-on learning with the season’s directors and development of the Fellow’s own craft.
Cristina is a Latina director, writer and theater maker whose mission is to create empathy and conversation by directing new plays and musicals, as well as socially conscious adaptations of classics that place women of color at the forefront. Her work challenges the preconceived notions of what the American Theater can be, while confronting the intersections between our public, private, and political selves. Cristina holds a BA in Theatre from Barnard College at Columbia University and has participated in the Williamstown Theatre Festival Directing Corps, the SDCF Observership Program, and as an assistant director at both The New York Theatre Workshop and The Public Theater. See Full Bio
Artistic Development Associate
This position was created as a way for us to continue to support the previous year’s Directing Fellow, and to help him/her create bridges into the industry. Associates will continue to bring new and diverse voices to Roundabout and will have the chance to build their canon of work with the full support of the company.
Miranda is a Princess Grace Award/Honoraria–winning director, writer and curator of performance originally from Boston. She is an Artist in Residence at Roundabout Theatre Company; previously as the 2017/18 Directing Fellow, currently the Artistic Development Associate. Miranda is a New Georges Affiliate Artist, member of the Lincoln Center Theatre Directors Lab, the Wingspace Mentorship Program, a Manhattan Theatre Club Directing Fellow, and a former Allen Lee Hughes Directing Fellow at Arena Stage. See Full Bio
Company in Residence
Fiasco Theater was invited to become Roundabout’s first Company in Residence following their work on Into the Woods (2015). We aim to encourage them to continue their exploration of classic musicals and plays by providing the time and space that a young company needs to do their best work.
Fiasco is an ensemble theater company created by graduates of the Brown University/Trinity Rep M.F.A. acting program. Past shows include Cymbeline (TFANA/Barrow Street), Into the Woods (Roundabout, Old Globe, McCarter, National Tour/Menier Chocolate Factory), Measure for Measure (New Victory/Long Wharf), The Two Gentlemen of Verona (Folger/TFANA) and Twelfth Night (Classic Stage Company). See Full Bio
This group of directors and playwrights comprises artists who have created some of Roundabout's best-known works and artists who will be creating the work of the future. They call Roundabout home and are able to develop the projects they are the most passionate about here.
Roundabout: After Miss Julie, The Constant Wife. Other Broadway: Heisenberg, Rodgers and Hammerstein’s Cinderella, The Lyons, Cry-Baby, Reckless. New York premieres include works by David Auburn, Lynda Barry (The Good Times Are Killing Me), Douglas Carter Beane (As Bees in Honey Drown), Charles Busch, Julia Cho, Lisa Kron (2.5 Minute Rude), Kenneth Lonergan (This Is Our Youth, Lobby Hero), Craig Lucas (The Dying Gaul), Nicky Silver (The Lyons, Too Much Sun) and Paul Vogel (How I Learned to Drive, The Long Christmas Ride Home). He has directed at London’s Donmar Warehouse... See Full Bio
Roundabout: The Real Thing, Picnic, Look Back in Anger (Lortel nomination for Outstanding Direction); Tigers Be Still. Broadway: A Doll's House: Part 2, The Glass Menagerie, Seminar (Golden Theater; also Ahmanson, L.A.). Recent: Fun Home (Public Theater, Tony Award, Best Direction of a Musical); Uncle Vanya (Soho Rep.); The Realistic Joneses (Yale Rep., CT Critics Circle Award for Outstanding Director); The Big Meal (Playwrights, Lortel Award for Outstanding Director); We Live Here (MTC); A Doll’s House (Williamstown); August: Osage County (Old Globe, SD Critics Circle Award for Outstanding Direction)... See Full Bio
Joshua Harmon’s plays include Bad Jews, (Roundabout Underground; Roundabout/Laura Pels; West End), Significant Other (Roundabout; Broadway/Booth Theatre), Admissions (Lincoln Center Theater; Drama Desk and Outer Critics Circle Awards, Outstanding Play), and Skintight (Roundabout). His plays have been produced across the country and internationally in Australia, Canada, Germany, Israel, Russia, South Africa, and throughout the U.K. Fellowships include MacDowell, Atlantic Center for the Arts, and NNPN/Actor’s Express. He is under commission from Manhattan Theatre Club. Education: Juilliard.
Roundabout: The Big Knife, Mrs. Warren's Profession, A Man for All Seasons, A Touch of the Poet, A Naked Girl on the Appian Way, Death Takes a Holiday (Drama Desk nomination), Howard Katz, The Paris Letter. LCT: Junk, The City of Conversation, The House in Town. Broadway: The Father, Outside Mullingar, An Enemy of the People, Born Yesterday, Elling, Oleanna, The Royal Family, Mauritius, Inherit the Wind, Doubt (Tony Award), Frozen (Tony nomination). Off-Broadway includes Incognito, The Whipping Man, Defiance, Flesh and Blood, The Beard of Avon and The Grey Zone. Awards: Tony, Drama Desk, Outer Critics Circle, Lucille Lortel, Obie (twice), Callaway.
Roundabout: Scapin, Waiting for Godot (2009 Drama Desk nomination), A Flea in Her Ear, Bye Bye Birdie.Irwin is an original member of Kraken and San Francisco's Pickle Family Circus. Original works include Fool Moon, Largely New York, The Harlequin Studies, Mr. Fox: A Rumination, The Happiness Lecture, and The Regard of Flight. Theatre: Show Boat (SF Opera), Old Hats, Endgame, Broadway/West End revival of Who’s Afraid of Virginia Woolf (2005 Tony Award, Helen Hayes Award), The Goat or Who is Sylvia, Accidental Death of An Anarchist, 5-6-7-8 Dance!, Waiting For Godot at Lincoln Center, The Tempest, Garden of Earthly Delights, Texts for Nothing, 2003–04 Signature Theatre Playwright-in-Residence... See Full Bio
Roundabout: Dinner With Friends. Broadway: Amélie, China Doll, The Heidi Chronicles, A Delicate Balance, Edward Albee’s Who’s Afraid of Virginia Woolf? (Tony Award, Best Direction of a Play, 2013); Clybourne Park (Tony Award nomination, Best Direction of a Play, 2012). Pam recently directed the world premiere of Beau Willimon’s The Parisian Woman for South Coast Repertory, as well as Craig Lucas’ The Lying Lesson at The Atlantic Theater. Pam directed Horton Foote’s Harrison, TX at Primary Stages, and Itamar Moses’ Completeness at Playwrights Horizons, as well as the world premiere at South Coast Repertory. She also directed the world premiere of David Wiener’s Extraordinary Chambers at the Geffen Playhouse... See Full Bio
Roundabout directing: Assassins (Tony Award), The Mineola Twins, The Ritz, Design for Living, Pal Joey, The Humans. Other directing credits include An Act of God, The Last Ship, Casa Valentina, I’ll Eat You Last, The Other Place, Dogfight, Other Desert Cities, The Pride, 9 to 5, Wicked, Blackbird, November, The Receptionist, Three Days of Rain, The Odd Couple, Glengarry Glen Ross, Laugh Whore, Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, The Vagina Monologues, bash, Love! Valour! Compassion!, Proposals, Corpus Christi. Film: Love! Valour! Compassion! As an actor: The Normal Heart (Tony Award nomination), Angels in America (Tony Award nomination) and The Baltimore Waltz... See Full Bio
Roundabout: Anything Goes, The Pajama Game, 1776, Follies. Other Broadway credits include In Transit, Nice Work If You Can Get It; Wonderful Town; Living on Love; Grease; Little Shop of Horrors; Seussical; Kiss Me, Kate and Swinging on a Star. Off-Broadway and regional: Two Gentlemen of Verona (NYSF); Saturday Night (Second Stage); Love’s Labor’s Lost (Old Globe); My Paris (Long Wharf); Ever After (Paper Mill); Diner (Signature Theatre); The Unsinkable Molly Brown (Denver Center Theatre); The Band Wagon, I’m Getting My Act Together…, Bells Are Ringing, Carnival and Babes in Arms (City Center Encores!). TV: “Once Upon a Mattress,” “The Music Man” (Emmy nomination) and “2 Broke Girls.” ... See Full Bio
Roundabout: Bernhardt/Hamlet, The Understudy. Rebeck is a widely produced playwright throughout the United States and abroad. New York productions of her work include Dead Accounts at the Music Box Theatre; Seminar at the Golden Theatre; Mauritius at the Biltmore Theatre in a Manhattan Theater Club Production; The Scene, The Water’s Edge, Loose Knit, The Family of Mann and Spike Heels at Second Stage; Bad Dates, The Butterfly Collection and Our House at Playwrights Horizons and View of the Dome at New York Theatre Workshop. Omnium Gatherum (co-written, finalist for the Pulitzer Prize in 2003) was featured at the Humana Festival, and had a commercial run at the Variety Arts Theatre... See Full Bio
JENNY RACHEL WEINER
Jenny was the 2016/2017 Tow Foundation Playwright-in-Residence at the Roundabout Theatre, where she has recently been named an Associate Artist and is also under commission. Select plays include: diventare (The Harold & Mimi Steinberg National Student Playwriting Award), Horse Girls (Fordham/Primary Stages, the cell, Ars Nova; New York, Collaboraction; Chicago, Annex Theatre; Seattle, published by Samuel French), Jason & Julia (Williamstown Theatre Festival Workshop Production, Wyoming Theatre Festival Reading, City Theatre of Pittsburgh Reading), Stagedream (co-written with Lee Overtree, upcoming: workshop at Playwrights Horizons Theatre School)... See Full Bio
Whitney is a director, musician, and actor. Recent work: Othello (Trinity Rep), Blood Wedding (Atlantic Theatre Co/NYU), Freedom Riders (NYMF), Macbeth in Stride (Miami Theater Center). As Associate Director: Marvin's Room (Broadway), If I Forget (Roundabout). Upcoming: Rita Tambien Rita (Julliard), Aleshea Harris’ What to Send Up (The Movement), The Secret Life of Bees (Atlantic Theatre, Associate Director). Whitney was the inaugural Roundabout Directing Fellow and is currently a 2050 Fellow at the New York Theatre Workshop. See Full Bio
Adams Associate Artistic Director*
This position was created specifically for Scott Ellis in 1998, making him a senior member of Roundabout's artistic team. In 1993, Scott directed Roundabout's first-ever musical revival, She Loves Me, and became a. leading voice for this genre at the theatre, advising on the development of initiatives across the institution.
Roundabout: She Loves Me ( 1993 and 2016; Drama Desk and Tony Award nominations, Outer Critics Circle Award, Olivier Award for Best Director London Production), Picnic (1994), Arthur Miller’s The Man Who Had All The Luck starring Chris O’Donnell, The Rainmaker starring Woody Harrelson, 1776 (Drama Desk, Outer Critics Circle and Tony Award nominations), Company, A Month in the Country (1995) starring Helen Mirren, A Thousand Clowns, The Boys from Syracuse, The Look of Love, On the Twentieth Century, The Understudy, Entertaining Mr. Sloane, Streamers, Twelve Angry Men (Tony Award and Drama Desk nominations), Harvey, The Mystery of Edwin Drood, The Unavoidable Disappearance of Tom Durnin. Other Broadway: The Elephant Man, You Can’t Take It With You, Curtains starring David Hyde Pierce (Tony Nomination, Best Direction of a Musical), The Little Dog Laughed (Lucille Lortel Award Nomination), Steel Pier (Drama Desk, Outer Critics Circle and Tony Award nominations)... See Full Bio
* Generously underwritten by Margot Adams, in memory of Mason Adams.