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TODD HAIMES (Artistic Director/CEO) joined Roundabout as the Executive Director at the age of 26. From 1983 to 1990, he served in that position, overseeing the company's finances, marketing and fundraising. Mr. Haimes has been the Artistic Director of Roundabout Theatre Company since July 1, 1990, and he became the Artistic Director and CEO in 2015. Mr. Haimes is the former President and currently serves on the Board of The Alliance of Resident Theatres/New York – the service organization representing all not-for-profit theatres in New York City – and he is a member of the Broadway League Executive Committee. He is the recipient of the 2013 Lucille Lortel Lifetime Achievement Award and was named a Crain’s New York Business 40 Under 40 honoree in 1992. He has taught Theatre Administration in the Graduate Program at the Yale School of Drama and the Graduate Theatre Administration Program at Brooklyn College, and he has served as a member of the Hunter College Theatre Advisory Board. He also currently serves as an Executive in Residence at the Columbia University School of Professional Studies. He holds a Bachelor’s Degree from the University of Pennsylvania and a Master’s Degree in Business Administration from the Yale School of Organization and Management.

SYDNEY BEERS (Executive Producer) joined Roundabout Theatre Company in 1995. She has held various positions at the organization, including Director of Sales and Director of Administration. As Roundabout’s General Manager, she oversees the company’s Broadway and off-Broadway productions across five venues. She is also the Executive Producer on all of Roundabout’s musicals. Prior to Roundabout, she had worked at the Shakespeare Theatre, Walnut Street Theatre Company and Delaware Theatre Company. Sydney is a graduate of Catholic University and has studied theatre abroad at various intuitions such as Oxford University, the Royal Shakespeare Company and London University. She is proud to be member of the Broadway League.

(Chief Advancement Officer) joined Roundabout in 2010 and was integral to its successful 50
th Anniversary Campaign to secure the company’s future. As Chief Advancement Officer, he drives the organization’s multi-year strategy to advance Roundabout’s mission and deepen its impact, convening support among vital stakeholders and overseeing organizational governance and all contributed revenue. Christopher received his bachelor’s degree from Elmhurst University and has over 20 years of nonprofit management expertise working with a range of organizations in the performing arts, human services and advocacy sectors. In 2005, he became one of only 5,000 Certified Fundraising Executives (CFRE), demonstrating the knowledge, skills, and commitment to the highest standards of ethical and professional practice in the philanthropic sector. He is an adjunct professor at Pratt Institute and a proud member of the Association of Fundraising Professionals.

STEVE DOW (Chief Administrative Officer). In October of 2016, Steve was elevated to the position of Roundabout Theatre Company's Chief Administrative Officer, after serving as the Associate Managing Director since 2014. In this position, Steve is responsible for oversight of the administrative functions of the organization including finance, legal, facilities and operations, audience services, human resources, information technology and institutional management. Prior to joining Roundabout, Steve worked at Bespoke Theatricals (formerly Nina Lannan Associates) for over seven years during which time he served as General Manager or Associate General Manager of numerous Broadway productions and tours. Steve received an M.F.A. with honors from Columbia University in the Theatre Management and Producing program. During his time at Columbia, he worked with Barlow Hartman Public Relations and the general management branch of Jujamcyn Theatres. Prior education includes a B.A. from the University of California, Berkeley, and a J.D. from University of California, Hastings College of Law. A native of Northern California, Steve practiced labor and employment law in San Francisco for ten years before making his way east to work in the theatre. He is admitted to practice law in New York and California, and is active with the League of Resident Theatres (LORT) as well as a member of the Broadway League.