Roundabout Underground® fosters new works by emerging theatre artists.
It exists to support early career writers by developing and producing their new works in a creative, low-pressure environment. It also offers opportunities for directors and designers to hone their storytelling skills. Writers are often at the very beginning of their New York careers, and those that receive an Underground production also receive a Roundabout commission in an effort to offer continual support to these emerging playwrights.
In 2024 the Roundabout Underground Residencies were introduced to provide two playwrights time and space to work on one of their plays. Each writer is offered a multi-day workshop of the play, scheduled time at a desk in a shared workspace, and access to Roundabout resources and staff that they feel is helpful to their process and overall artistic development.
Roundabout Underground Residencies 2025–2026
Roundabout Underground Residencies 2024–2025
- Alec Baldwin
Eugene and Joann Bissell and the Lillian Lincoln Foundation
James Costa and John Archibald
Linda L. D’Onofrio
Peggy and Mark Ellis
Carson Gleberman
Sylvia Golden
Jeanne Hagerty
Dr. Douglas Holden and Dr. Jean Weng Holden
Laurents/Hatcher Foundation
Angelina Lippert
Toni Ratner Miller
Laura Pels International Foundation for Theater
Mary Solomon
Harold and Mimi Steinberg Charitable Trust
Readings and workshops at Roundabout are supported, in part, by the Blanche and Irving Laurie Foundation
New Play Initiative
Roundabout is committed to supporting and developing the creation of new works through our New Play Initiative.
Your support of the Underground
helps us foster the next generation of groundbreaking playwrights.
Roundabout Underground Production History
| Covenant | by York Walker | 2023 |
| the bandaged place | by Harrison David Rivers | 2022 |
| Exception to the Rule | by Dave Harris, Tow Playwright-in-Residence | 2022 |
| English | by Sanaz Toossi | 2022 |
| Darling Grenadine | by Daniel Zaitchik | 2020 |
| Something Clean | by Selina Fillinger | 2019 |
| Usual Girls | by Ming Peiffer | 2018 |
| Bobbie Clearly | by Alex Lubischer, Tow Playwright-in-Residence | 2018 |
| Too Heavy for Your Pocket | by Mansa Ra | 2017 |
| On the Exhale | by Martín Zimmerman | 2017 |
| Kingdom Come | by Jenny Rachel Weiner, Tow Playwright-in-Residence | 2016 |
| Ugly Lies the Bone | by Lindsey Ferrentino | 2015 |
| Little Children Dream of God | by Jeff Augustin, Tow Playwright-in-Residence | 2015 |
| Too Much, Too Much, Too Many | by Meghan Kennedy | 2013 |
| Bad Jews | by Joshua Harmon | 2012 |
| Suicide, Incorporated | by Andrew Hinderaker | 2011 |
| The Dream of the Burning Boy | by David West Read | 2011 |
| Tigers Be Still | by Kim Rosenstock | 2010 |
| Ordinary Days | by Adam Gwon | 2009 |
| The Language of Trees | by Steven Levenson | 2008 |
| Speech & Debate | by Stephen Karam | 2007 |