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Covenant written in white. The T in Covenant is an upside down cross. Artwork for Covenant


October 5 — December 3

Harold and Miriam Steinberg Center for Theatre Black Box Theatre


October 5 — December 3

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When a struggling guitarist returns to his small Georgia town a blues star, rumors begin swirling that he may have made a deal with the devil to attain his musical genius. Before long, however, it becomes clear he's not the only one with a secret. A mythic and suspenseful new play that delivers one devilish twist after another, York Walker's Covenant explores the power of belief and the thin line between rumor and truth. Tiffany Nichole Greene directs.

Running time: Ninety-five minutes. No intermission.

Please be advised: This production contains gunshot effects, strobe effects, and loud noises.

Covenant Cast

Crystal Dickinson
Johnny ‘Honeycomb’ James
Chaundre Hall-Broomfield
Ashley N. Hildreth
Jade Payton
Lark White

Covenant Creative

York Walker
Tiffany Nichole Greene
Stephen Buescher
Magic & Illusions
Steve Cuiffo
Set Design
Lawrence Moten
Lighting Design
Cha See
Costume Design
Ari Fulton
Original Music & Sound Design
Justin Ellington
Production Stage Manager
Garrett Kerr
  • Alec Baldwin
    James Costa and John Archibald
    Linda L. D’Onofrio
    Peggy and Mark Ellis
    Joele Frank and Larry Klurfeld
    Carson Gleberman
    Sylvia Golden
    Jeanne Hagerty
    Angelina Lippert
    Iva Mills
    K. Myers
    Laura Pels International Foundation for Theater
    Mary Solomon
    Harold and Mimi Steinberg Charitable Trust

About Roundabout Underground

Roundabout Underground productions are produced in Roundabout's Black Box Theatre located within the Harold and Miriam Steinberg Center for Theatre. It is an initiative designed to foster new works by emerging theatre artists. Roundabout Underground allows Roundabout to take artistic risks that are not viable on its larger stages, whether giving a debut production to an emerging writer or allowing an experienced director to go back to his or her creative roots.

In addition to receiving an opportunity to debut their works as full-scale productions, up-and-coming playwrights receive the significant artistic and financial support of the country's largest not-for-profit theatre and a nurturing environment in which to debut their work.

The empty house of Black Box Theatre. Two chairs are washed in red and yellow light at the front of rows and rows of chairs.

Presented at

Harold and Miriam Steinberg Center for Theatre

Black Box Theatre

111 West 46th Street, New York, NY

between 6th and 7th Avenues